Sunday, May 11, 2008

VA - The Points CD Single (1995)

Classic single from the soundtrack to the movie "Panther." "The Points" features an all star line-up of rappers from all over the U.S.:

Big Mike, Bone Thugs-N-Harmony, Buckshot, Busta Rhymes, Coolio,
Doodlebug (of Digable Planets), Heltah Skeltah, Ill Al Skratch, Jamal,
Menace Clan, The Notorious B.I.G. and Redman.

There are three different mixes, one from Easy Mo Bee, one from DJ U-Neek and one from Mista Lawnge (of Black Sheep).
This is another must-have single.


Saturday, May 10, 2008

The B.U.M.S - Take a Look Around Promo CD Single (1995)

The second single from the "Lyfe 'N' Tyme" album, is a must-have due to the fact that it has four songs on it, that can't be found anywhere else. In addition to the album version of "Take a Look Around," there's three different remixes, produced by Fredwreck, the Vinyl Reanimators and Erich "Hypedawg" Krause (of the Groovebumz) respectively, which sound just as good, if not better, than the original. Also included is a non-album track, "Rain" featuring Saafir which is astonishingly good as well.


Friday, May 9, 2008

The B.U.M.S - Elevation (Free My Mind) Promo CD Single (1994)

The first single from the "Lyfe 'N' Tyme" album. Also features "6 Figures and Up,". Radio versions and instrumentals for both songs, enjoy.


The B.U.M.S - Lyfe 'N' Tyme (1995)


Hailing from Los Angeles, with a sound reminiscent of East Coast boom-bap, The B.U.M.S (Brothas Unda Madness) consisted of 2 rappers, D-Wyze and E-Vocalist, and they released "Lyfe 'N' Tyme," their only album, in 1995. The group gained notoriety after several appearances on "The Wake Up Show" hosted by Sway and King Tech, who signed the B.U.M.S to their label All City Productions, which was distributed through Priority Records. Though the group made noise with the singles "Elevation (Free My Mind)" and "Take a Look Around" the album by and large went unnoticed, and the B.U.M.S faded into obscurity. After more than a decade "Lyfe 'N' Tyme" has become considered a slept-on classic, with production from Joe Quixx, The Baka Boyz, Fredwreck and King Tech as well as an early appearance from Mystic, this is a quintessential listen.


Thursday, May 8, 2008

Stezo - Where's The Funk At EP (1997)


Here's a somewhat obscure EP from Stezo. "Where's the Funk At" features four different songs, the title track, "Figure It Out," "Time ta Blow Ya Mind" and "Tension off the Chest." All four joints knock pretty hard, and Stezo proves to be no slouch on the mic either. This is another overlooked mid '90's gem.


Wednesday, May 7, 2008

Shyheim - Lost Generation (1996)


Shyheim's second album, "Lost Generation," released in 1996. Contains the classic single "Shaolin Style," as well as other gems like "Dear God," "Shit Iz Real," "What Makes the World Go Round," "Things Happen" and "Young Godz." The album features guest appearances from Pop the Brown Hornet, Trigger the Gambler, Smoothe Da Hustler, DV Alias Khrist and Killa Sin, as well as production from RZA, RNS, L.E.S. and D/R Period.


OC - Born 2 Live CD Single (1994)

Another classic from "Word...Life." Features the album version of "Born 2 Live," as well as the remix that was produced by Organized Konfusion and another album cut, "Let It Slide." 8 tracks in total.


OC - Time's Up CD Single (1994)

OC's classic single from the "Word...Life" album. The CD single has 3 different versions, "Time's Up (Bare Bone Original)," which is the album version, "Time's Up (Buck Original)," which is slightly different in that it has an added horn sample at the beginning of the song, and "Time's Up (Remix)" which has a completely different beat that was produced by DJ Eclipse (of Non Phixion). 8 tracks in all.


Tuesday, May 6, 2008

OC - Starchild (2005)


OC released his fourth album "Starchild" in early 2005. The album was recorded for Inebriated Rhythm/Grit Records, which had delayed the release for several months and only distributed it in Japan. Though a US version was promised, it never materialized, and the album was only available to US consumers through a few on-line Hip-Hop retailers. "Starchild" was OC's first album that featured no contributions from his D.I.T.C. affiliates, but nevertheless producers Soul Supreme, Vangaurd and The Locsmif provide plenty of heat on the production tip, while OC proves to be in top form on every track.


Monday, May 5, 2008

OC - Bon Appetit (2001)


OC's third album "Bon Appetit" from 2001 is probably his least popular. While his first two albums are undeniable classics, due in large part to OC's lyrical prowess, his third album marked a change in his style. OC chose to not try that hard at impressing people with his emcee skills, and simplify his subject matter and delivery. Perhaps he felt artistically pigeonholed by having a label placed on him that he never asked for, and was trying to show his versatility as an artist by making an album that would be more accessible to mainstream Hip-Hop, which had shut him out after two major label releases, while turning a blind eye to the so-called Hip-Hop purists who had supported him from the inception of his career. Whatever the reason may be, the album didn't do all that well commercially or critically, but it's not really all that bad. For the most part this is a very enjoyable listen, there are songs like "Soul to Keep," "Doin' Dirt" and "Respect the Drop" which are reminiscent of OC's earlier material, as well as songs like "Back to Cali," "Utmost," "Weed and Drinks" and "Paradise," which would fit in nicely on any commercial Hip-Hop play list. The album was produced almost entirely by longtime collaborator and fellow D.I.T.C. member Buckwild, who also did the majority of OC's seminal debut album "Word...Life," but when you put the two albums side by side, the latter far outshines the former. While its not quite on the level of OC's prior efforts, "Bon Appetit" is still worth checking out.


Sunday, May 4, 2008

OC - Jewelz (1997)


This is my favorite album from OC, "Jewelz." It was released in 1997, and every track is a masterpiece. Producers on this album include DJ Premier, Buckwild, Da Beatminerz, Ogee, Showbiz and Lord Finesse, guest artists include Organized Konfusion, Freddie Foxxx and Big L. With a line-up like that not much else needs to be said.


Juice With Soul - Body Armor (1993)


I actually bought this album last year from amazon, after I saw it on some body's list of slept-on Hip-Hop albums. I haven't been able to find a lot of info on this group, but what I can tell you is that Juice With Soul is a duo consisting of a rapper and a DJ from Boston, and that this it there only album, which was released in 1993. The album's liner notes aren't very helpful either in terms of more detailed information, all it says is that the album was written and produced by Juice With Soul, so I'm just going to assume that the rapper is named Juice and the DJ is named Soul. Anyway there's a very strong social consciousness throughout the album, as Juice touches on everything from street violence to police brutality. Perhaps the strongest track on "Body Armor" is "Like Father, Like Son," where Juice thoroughly discusses his worries over being a good father and raising his son responsibly. All in all this is a very strong effort from 1993, and it's definitely worth checking out if you're unfamiliar with Juice With Soul.


Down South - Lost In Brooklyn (1994)


"Down South's only album, 1994's "Lost in Brooklyn," has become quite an obscurity through the years but is an album I have come to adore. I only came upon it fairly recently, and I was drawn to it by the all-star cast of producers. Shawn J Period is in my mind a very underrated 90s producer, I was familiar with his production for Mad Skillz, Black Star, Artifacts, and Da Bush Babees, he's got a great sound and this was his group. A young Beatnuts and another Artifacts beatmaker, T-Ray, are also involved in production, so I knew I would at least like this album musically. And I did. The music is actually spectacular. Almost every track is laced with a totally dope sax loop, they sound so jazzy and soulful, they're really catchy, this is the best hip hop sax instrumentation this side of Pete Rock. The drums hit hard and the bass is deep, the sound is really great musically, it embraces all that was great about the beats of 1994. Down South has a kind of odd lineup, in addition to Shawn J Period, who's sort of the leader, they have a DJ who operates purely as the DJ, Myorr, and the rapper, Soda Pop. Soda Pop is a good rapper, a fairly basic east coast mid-90s MC. Although he's from Brooklyn, he has an odd obsession with the south. He raps about the classic southern pastimes, and embraces the concept of southern hospitality sort of in a Goodie Mob sort of way (although you wouldn't compare them otherwise). The choruses are often chants and yelling, it's just pure 1994 hip hop dopeness and anyone who loves that style will love this. This is simple hip hop, just dope beats and dope rhymes, but it's simply so likable in every way.

The tracklist is divided between the "South Side" and the "North Side." The first seven tracks, the "South Side," center around the southern country lifestyle, as you could tell from the song titles. The first song is "Down South," which serves as an introduction with dope beats, nice verses, and a chanted chorus that could have came from the Pharcyde. "Southern Comfort" might be my favorite one musically. The sax loop is absolutely gorgeous, it's perfect, and when the bass and drums kick in you're in for a treat. The hook is beautiful, delivered by a female vocalist, and Soda Pop raps about southern hospitality as in family gatherings and soul food. "Tractors, Rakes & Hoes" has a simpler beat with a good hook that has a soaring sax sample. The horn sample that starts "Jimi Crack Korn" is once again phenomenal, and the loopy beat makes for another nice song. "Spin da Boddle" is another dope, chant-heavy and catchy song, and the "South Side" is rounded off with "Departure," a nice instrumental, thus beginning the "North Side." The title track is awesome, upbeat and jazzy with a joyful sax and chorus that might have you yelling along with them. I think "Sitting Here" is my favorite song on the whole album, incredibly laidback and appealing. The sax and the twangy bass match perfectly, and the chilled out hook make for a perfect Saturday afternoon kind of song ("just sittin' here, chillin', just sittin' heeere..."). "Big Wheels" refers to the kiddy trikes as "the only mode of transportation" from "back in the day." Another instrumental, "Grupo de Rap," precedes the vibesy "Around the Clock." The production for "The Carbonated One" is excellent, the moving bassline sounds like it could come from a tuba and the all-over-the-place horns and crowd chants make this sound like a New Orleans jazz song with rapping. The light "Oh My" and crazy closer "Open Sesame," an ode to beer, round off the tracklist.

This album went totally under the radar in '94 and remains there today, and it's also nearly impossible to find. I suggest that fans of the early-90s jazzy rap sound go out of their way to find this. This album is really obscure but it's just so dope, the sound is so fun and it will make you reminisce for 1994 even if you've never heard this album before. I adore this style of production with the deep bass and heavy horn sampling, musically for me this is perfect. This is highly recommended, an awesome album." By ctrx (Amazon.com user review)


Saturday, May 3, 2008

The Union Presents Organized Rhymes (1999)


Here's a nice compilation from 1999. It features Guru, Big L, AZ, Ras Kass, Masta Ace, O.C., Buckshot (of Black Moon), C.L. Smooth, Sticky Fingaz (of Onyx), Channel Live, The Ranjahz, Twista, Jayo Felony, King T, McGruff and many others.